BELLAIRE GOBLET WORKS/U.S. GLASS original Daisy & Cube aka Stars and Bars miniature amber oil lamp. The Early American Pattern Glass (EAPG) design is called "Daisy & Cube" was first designed in the late 1800's. Listed and pictured as figure S1 482 on page 200 in the book "Miniature Lamps" by Frank & Ruth Smith. Measures 7 3/4"" high in total. The shade measures 2 1/8" high X 3 1/4" across the top and 1 7/8" across its bottom rim which has normal mold removal roughness inside the opening from the manufacturing process. The base with its original SPAR BRENNER burner stands 6 3/8" tall and measures 3" across the base. No chimney with this example yet they are easily found for sale. Other than the noted manufacturing seam chipping inside the shade opening there are no chips, cracks or repairs.
DAUM NANCY PATE' DE VERRE MINIATURE LAMP SHADE
RARE DAUM NANCY pate' de verre miniature lamp shade. This is a very rarely found form of pate' de verre acid finish mini shade which is normally found on a small art deco miniature wrought iron base. The side of the shade is wheel signed DAUM NANCY. Measures 4 3/4" across at the widest point, 2 3/4" high and 3 1/4" across where the appeture for the base' shade holder is. There is a tiny 1/16" nick to the surface on the exterior of the shade. It is shown in the last image to the right side of the shade. No other chips, cracks or repairs.
FEDERAL GLASS FROSTED HORSE HEAD PRODUCTION ART DECO NIGHT LIGHT
FEDERAL GLASS COMPANY frosted horse head night light and original base. We have seen this particular combination only a few times. The glass has a few condition issues, two bottom edge chips that are mostly obscured by the base rim that it sits upon as well as a very small flake in the mane of the horse head. The base is made of patinated white metal. Due to age, use and the many years of heat inside the light box, there is some wear, stress and warp to the white metal frame. The original Bakelite style on off bulb switch with the letter P is intact, while the hardware has been rewired. There is one screw missing.
KENTON HILLS POTTERY & CREST COMPANY HARDWARE WILLIAM E. HENTSCHELL LAMP
KENTON HILLS jewel porcelain lamp base by WILLIAM E. HENTSCHELL. The complete and original bronze and brass hardware on this item is marked CREST 1715. Crest Lamp CO of Chicago is considered one of the finest lamp manufacturers of the early to mid 20th Century. The base is signed on the side with William E. Hentschell's signature and the interior rim of the base is impressed 177 followed by black under glaze marks. The Kenton Hills Hentschell lamp vase measures 13" tall and 6 1/2" across at the widest point. The overall height of this Kenton Hills/Crest Lamp base is 18 1/2" tall. Kenton Hills was in production only from late 1939 and ended all production by 1943. Kenton Hills was located in Kentucky and was a firm created by several Rookwood Art Pottery employees which included William E. Hentschell, David Seyler and Harold Bopp. This item has its original patina. No chips, cracks or repairs.
"GRAPE & CABLE"
GREEN CANDLE LAMP
Green Grape and Cable candle lamp. The shade and candlestick have its original metal clip on hardware. The hardware even has its original fabric that is located inside the clip section that goes around the candlestick shaft. Marked with Northwood's underlined capital N in a circle. Standing a total of 9" tall, the Stick measures 5 1/2" X 3 5/8" X 1 3/4". The shade measures 5" X 3 1/2" X 2 1/2". The shade top rim has mold pull roughness and flat chipping.
LOETZ AUSFUEHRUNGEN AUSF 226 ART GLASS "SHADE?" CIRCA 1925
LOETZ AUSFUEHRUNGEN AUSF 226 art glass item, possible "shade" circa 1925. This item measures 3 1/2" X 4 5/8" with a 1 3/4" on opening. We purchased this item decades ago from an old, established family estate in Connecticut. When we purchased this item, it was mounted on a period goose neck form lamp base. We still own the lamp base but the original socket is in very rough condition as often occurs with old lamps. The lamp base has what appears to be old, period, and very possibly original mounting hardware as well. There is a small cap that fit over the ground section, which also had at one time a small felt like washer to protect the glass from the metal. On the interior attachment, the goose neck wiring arm goes through the ground opening in the glass, on the end there is threading where a nut/like washer device screws down against the glass on the interior of this item which also had a small disintegrating felt washer. At the end of the threading is a non operational small candle bulb size socket. The original cord has long since turned to broken bits of some sort of cloth covered rubber that encased the wires. This is basically gone at this time. The plug was not a standard US style plug, but a European screw type plug.
With all of this stated, we are not sure of what the origins of this item was intended to be. We have seen this shape but as the upper portion of a compote, yet the size of this item is smaller than that of the known and documented compote in the Ausf 226 glass. This item is smaller in all proportions from the few examples we have seen but we are not positive that this item started life as it is shown to be today. With this made clear we can make no claims to the origins of the shape as a shade or compote but we can guarantee that it is indeed LOETZ Ausf 226. No chips or cracks present.
ART DECO LUX CLOCK MFG CO WATERBURY, CONN USA & CHROME LAMP & CLOCK COMBINATION
STUNNING art deco combination electric lamp & wind LUX chrome clock. Marked on the clock face "LUX CLOCK MFG. CO WATERBURY, CONN USA". The waterfall pedestal is of chromed spelter. The black light switch nob and black sheet that the clock and harp are attached to appear to be a type of thermoplastic (Bakelite). The clock winds and works well. Keeps good time and the lamp sections works perfectly as well. This has been rewired some time in its past and also appears to be in fine working order. The chromed spelter base has several age separations which do not appear to hinder the stability of the base. Measures 14" X 8" X 5".
MILK GLASS HAND PAINTED CYLINDER FORM NIGHT LIGHT
Hand painted milk glass cylinder form night light. This wonderful item has a snow scene with a country house tucked among trees at the end of a long drive. Brass plated original hardware. Stands 9 1/4" tall and about 5 3/4" across at the widest point. No chips, cracks or repairs.
MURANO ITALIAN VINTAGE LAMP BASE
REVERSE PAINTED LINEN FOLD PITTSBURGH LAMP COMPANY BOUDOIR LAMP
PITTSBURGH LINENFOLD style shade on original cast iron boudoir lamp base. The satin finished exterior of the linen fold molded shade is reverse painted with swags of floral. There is only the slightest in the making edge grinding roughness. Though unsigned there are several books on elegant lamps of the early 20th century that show this shade and similar bases and all attribute them to "PITTSBURGH LAMP COMPANY" The overall height of the is 14 1/2" tall, shade measures 7 1/2" across the bottom, 5" across the top and measures 5" high. No chips, cracks or repairs.
Puffy style reverse painted blown out art glass candle lamp shade. This item would have sat into a wood or metal candle lamp base similar to those produced by The Pairpoint Lamp Company of New Bedford Mass. Measures 4 1/2" tall, 5" across at the widest point, the top measures 1 3/4" across and the bottom opening measures 3" across. Unsigned, no chips, cracks or repairs.
STEUBEN FREDERICK CARDER ERA CALCITE ON WHITE OPALESCENT GLASS ENGRAVED SHADE
Steuben, Frederick Carder era acid cut back calcite glass lamp shade. Measures 4 1/2" high, 4 1/8" across the wide opening, the original factory drilled hardware opening measures 3/8". STEUBEN shape #2663, unsigned. No chips, cracks or repairs.